The Big Little Man
The Big Little Man is a whimsical sculpture that appears both larger and smaller than life at the same time.

The Canberra Times Fountain
The Canberra Times Fountain by Bob Woodward was commissioned by Federal Capital Press in 1976 and installed as a gift to the people of Canberra in 1979. This dramatic fountain marks the intersection of Ainslie Avenue with City Walk.

The Cushion and the Wedge
People can often be seen lounging in this large stainless steel cushion which is one of the most popular artworks in the city centre. A poem by Marion Halligan lies on on scattered pages on the granite plinth below the cushion to form a tribute to Garema Place.

The Encounter
The Encounter commemorates the 2006 meeting of sculptors in Palmar, in Uruguay’s Soriano Province.

The Fourth Pillar
The work features evocative blue neon phrases which stretch down a number of columns and are visible from the various mezzanine floors within the ACT Magistrates Court. By using lyrical everyday terms which have specific legal meanings the artist intended that the work would soften the experience for people visiting and working in this building.

The Glebe
Inspired by Glebe House, previously located on this site, the Glebe is made from a single block of grandee granite, segmented into house shaped blocks to represent European settlement of the area and the sub-division of the original Glebe allotment of 119 acres.

The Goongarline
The Goongarline draws inspiration from Gungahlin's rocky hills or 'Goongarline' as they were called by local Indigenous people at the time of European settlement.

The Journey
Spanning over approximately 300 square metres, this artwork contains 37 individual plexiglass cones, known as ‘Ossolites’, programmed to glow different colours according to the time of day and interact with viewers’ movement using motion sensors.

The Listening Posts
Two carved red gum totem posts set within the landscaped Banksia Street wetlands.

The Master's Voice
On the edge of City Walk is a concrete wall which houses a soundscape. People walking past hear the unexpected real–world sounds of people talking to animals, but with the sounds of the animals edited out, the voices seem to be calling out directly to the passersby: beckoning, controlling, coaxing. The addressee has been changed and visitors find themselves implicated in the work.