Two to Tango
Two to Tango is two curvy linear metal forms that can be viewed as subtly referring to couples or plant shoots reflecting the growth and rise of the city centre and its changing demographic. The blue colour of the forms echo the blue skies of Canberra.

Undergrazing
Undergrazing was developed as a result of Watson’s long-standing relationship with animals and the landscape, fusing ideas of sustainability, agriculture, and human-animal interaction.

Untitled (Andrew Townsend and Suzie Bleach, 1997)
This lively mosaic provides a welcoming entry to the Family Health Centre.

Untitled (Frank Hinder, 1963)
This work by the renowned modernist artist Frank Hinder is one of the most subtle artworks in the city centre. Created as part of the building, the vaulted tiled ceiling is a remarkable blend of form, tone and colour. Monaro Mall established this precinct as a hub of retail activity in Civic from the early 1960s.

Untitled (Gerald and Margo Lewers, 1965)
The original maquette for this work was designed and fabricated by Gerald Lewers, and developed and executed by Margo Lewers after his death. This 17 metre long sculpture includes a fulcrum and two weights symbolizing the Reserve Bank’s role in balancing the economy.

Untitled (Jean-Pierre Rives, 2008)
This untitled abstract artwork was donated to the ACT Public Art Collection by Leighton Properties.

Untitled (S Maritti, 1967)
This work is integrated with the building façade and was designed to complement the Commonwealth Bank building’s architecture.

Vessel of (Horti)cultural Plenty
The Vessel holds abstracted flowers that are illuminated at night and move with the breeze.

We Are Fishes
A pair of wind vanes in the shape of fish appear to swim through the air between the Tuggeranong Arts Centre and Lake Tuggeranong. One fish is cast black patinated aluminium, the other hollow form copper sheet with green patination. The work reflects life in the adjacent lake and plays on the nautical architecture of the Arts Centre building.

wide brown land
This artwork celebrates Dorothea Mackellar's popular Australian poem My Country which was written in 1908. The sculptural forms that make up the work are inspired by the cursive style of Mackellar's own hand-writing. The artwork frames a wide vista that stretches across the National Arboretum Canberra to the hills that mark Canberra's western and southern boundaries.